Aug 19, 2010

COURSE OF EMPIRE course of empire

course of empire were a relatively obscure group from dallas, tx in the early 90s. their debut had some success, and was picked up by zoo entertainment (who at one point tool was also signed to). it didn't sell too well, and neither did their follow-up, so the band was dropped. they released one more album on another label in '98, and then faded away from the music scene. interestly, the band no longer recieves compensation from their records, because they are all out-of-print. luckily for us, they have all their material hosted on their website, free to download. lucky us. but why should you waste your time on this album, among all the other countless free ones out there?

'cuz it's fucking awesome. CoE play with a sorta 90s alt metal sound, but they bring in some distinct industrial influences into play to give them a unique sound. they have a great vocalist, really cool lyrics, and they incorporate a lot of cool ideas into their sound that other 90s bands did not (like the near-7 minute closing track that consists solely of birds in the background and an eno-esque guitar playing a beautiful requiem for the world). it's kinda hard to describe their sound without sounding ridiculous, so i'll stop. just give a listen to a total lost gem from twenty years past! 1990.

SLOWDIVE pygmalion

the 3rd and final album from this british group. call it shoegaze, call it dream pop, call it ambient, call it whatever you'd like, but the operative word here is BEAUTIFUL. dreamy and otherworldly, dripping with atmosphere, pygmalion is one of the most original and interesting pieces of art to come out in the last 20 years. for fans of talk talk and my bloody valentine (of course, even though slowdive is like 231 times better than mbv, whatever). anyway, brilliant masterpiece here. HIGHEST RECOMMENDATION. 1995. FLAC.

CRYPTOPSY none so vile


brutal technical death metal from one of the original leaders of the style. this album is worth it for the drumming alone, which is absolutely retarded awesome. the rest of this rocks, too. 1996. FLAC.

JUNIOR WELLS hoodoo blues man


simply put the best blues album i've ever heard. popping with energy, this is electric/chicago blues at its finest. totally recommended! 1965. FLAC.

STEREOLAB emperor tomato ketchup


The typical (and extremely unique) Stereolab hallmarks are all here. The sweetly delivered, (Socialist) French lyrics, the steady rhythms, and the amazing array of synths and musical textures. You can hear the Silver Apples, Young Marble Giants, Neu!, Suicide, Francoise Hardy, but also the distinctly Stereolab. So...the ketchup's great, hop in!

amazing experimentalkrautpostrock! one of the grooviest albums i own, and indeed a favorite. highly recommended! 1996. FLAC.

JORGE BEN a tábua de esmeralda

A Tábua de Esmeralda (together with Jorge Ben's 1976 album África Brasil) could be said to represent the creative culmination of his astonishing '70s. The music that Ben recorded during this period had tremendous influence on Brazilian musicians at that time and to a great extent helped to ignite the creative explosion that took place in the Brazilian samba rock and samba soul scenes during the '70s. The sound on this particular album is very simple, with the songs being driven by Ben's characteristic acoustic guitar playing together with a bass guitar and percussion. Floating in the background on several tracks are also some nice string arrangements and a double bass. The melodies are magnificently crafted, managing to be catchy and free-flowing without ever feeling banal or predictable. One of many great songs on this album is the upbeat opening track, "Os Alquimistas Estão Chegando," with its funny lyrics about alchemists. Other especially fine moments are the space-themed "Errare Humanum Est," "Zumbi," with its Africa-inspired lyrics, "Cinco Minutos," and "Magnolia." A Tábua de Esmeralda belongs in the record collection of any fan of Ben's music and is also a great starting point for someone who wants an introduction to his work.

awesome, enchanting album. definitely recommended, especially for those with a taste for more exotic sounds. 1974. FLAC.

WILLIAM PARKER the peach orchard


Highly diverse in its compositional parameters, this double-CD reveres jazz's colorful history as much as it soars to new heights of improvisational glory, all while unfolding from the beautiful compositions sketched by bassist William Parker.

a jazz cornerstone of the last few decades. 1998. FLAC.